It's no surprise, then, that Sony decided that Spider-Man had to evolve - and it had to grow.
Amazing spider man 2 review movie#
Within months, DC was preparing a whole slate of movies to launch its Justice League, Marvel was coming on leaps and bounds and setting up a triumphant and seemingly endless run of solo films and Avengers features, and even the X-Men series planned a franchise-shaking new movie to bring together characters from all eras of the series. In the wake of The Avengers, the unfortunate The Amazing Spider-Man slipped out, following it so immediately that it hadn't yet got the memo - whereas everyone else had.
With this enormously successful and crowd-pleasing team-up of Marvel Studios' whole portfolio of superheroes, everything changed and suddenly a self-contained world was apparently not enough anymore. Just a few weeks before the first film was released, The Avengers took the world by storm and suddenly the whole genre was undergoing rapid evolution. And so it was that almost immediately, The Amazing Spider-Man 2 was upon us. The winning combo of the perfectly cast Andrew Garfield as Spider-Man, and his highly likeable real-life girlfriend Emma Stone as Gwen Stacy, along with the youthful, more innocent and wide-eyed tone of the film instilled many fans with great confidence for the future. Gone were the cast, crew and style of the highly popular but ultimately divisive Sam Raimi films, and instead we had a fresher, modern, and arguably more faithful take on the web-slinger, which breathed surprising new life into the perennial superhero favourite.
Gwen Stacy, true to form, watches anxiously from the wings.In 2012, after several years of franchise dormancy, the Spider-Man movie series was rebooted with The Amazing Spider-Man.
Near the end, superhero and supervillain proceed to square off in pitched battle inside the pitch-black city, while the Goblin clears his throat backstage. All being well, Electro could have been loved and respected and not set off every car alarm on every street he walks down, thereby probably making himself the most hated man in New York before he commits his first crime. In a perfect world, we're guessing, Spider-Man and Electro may even have been friends. Marvel's moral universe always was more nuanced than that inhabited by the stolid likes of Superman. It's more that they feel hurt and betrayed and appear to stumble on wickedness as a last resort. It should be noted that neither Harry or Max especially want to be criminals. If that weren't enough, he must also contend with a brace of fledgling super-villains in sickly Harry Osborn (Dane DeHaan), a putative Green Goblin, and downtrodden Max Dillon (Jamie Foxx), who flicks a switch and becomes Electro. On this occasion, Parker breaks up with Gwen Stacy (Emma Stone), who refuses to share him with his costumed alter-ego and prepares to light out for a new life in England. Given that the sequel marks Spider-Man's sophomore mission, it follows that the script will deliver sterner tests and added emotional entanglements. Garfield's gallant web-slinger may be out in the world and halfway up a building, but he clearly still has one foot in the locker room at high school. He is not above riding to the rescue of a bullied schoolboy or humiliating a Russian gangster by pulling down his pants. Here is a superhero who occasionally travels to work with a heavy cold. I also like the way that, despite the reputed $200m budget, there remains an endearingly amateur quality to Spider-Man's crime-fighting antics. In this they are again helped by the perfect casting of Andrew Garfield as Peter Parker he looks whelpish and raw, as though he's still filling out. And the film-makers know this and keep the tone skittish and fresh. But if the Spider-Man tale is about anything, it's about gawky youth and surging powers. Marc Webb's spring blockbuster is the sequel to the reboot of the movie adaptation of the original Marvel comic-books, which is another way of saying it's a copy of a copy. It's the thread that won't break and the yarn which still binds. Yet The Amazing Spider-Man 2 turns out to be so savvy, punchy and dashing that it won't be denied. By rights it should be all over between us. He's taken the Hollywood shilling, embraced three-dimensions and pitched himself squarely at the multiplex crowd. Even Spider-Man, whom I loved as a kid, has now long since moved on.
C hildhood heroes never die, they simply outgrow us, outlive us, and transfer their attentions to the generations that follow.